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Land | Reland [London] presents geological objects, cityscape materials and imagery from the native landscape.

This exhibition is running in parallel with Land | Reland [Portland] at Upfor Gallery in Portland, Oregon,

Amy Stephens’ first solo show in the United States.The two exhibitions combine site-specific work responding to the Pacific Northwest Coast, London and the architecture of both galleries.

At the heart of Amy Stephens’ practice is a concern with the reclamation of natural objects and the transferability of form via appropriation. Recent explorations are rooted within the structure’s materiality offering relationships between landscape, architecture and sculpture.

In Portland, a giant volcanic rock from Oregon is carefully balanced on an architectonic steel column. At over two metres high, a new vertical impression is created without appearing overly monumental. In London, the feather rock is transported from its original landing site, relanding in the space. Although her works are heterogeneous, certain elements remain constant in Stephens’ practice including her approach to architecture, minimalism and the readymade.

Throughout the exhibition, a series of inanimate forms and natural objects are thrust into the spotlight.These conflicting geological textures suddenly take naturally to each other as they are forced to adopt a new habitat. With an acute sensibility to form, accents of colour are created from the successive layering of exhibitions enabling the artist to explore shifting patterns and potential for narrative.
The works captivate a forced symbiosis, which are played out through the physical properties of the materials offering the viewer a confident aesthetic. New structures unfold into sculptures prompting an array of playful meanings that take on the surrounding architecture.This is coupled with items that are allowed to reconnect and reconstruct the past.The WBG Gallery space is transformed into a landing site that redefines the context for these familiar objects, a stark contrast from their original environment.

Amy Stephens (b.1981 London) received an MA in Fine Art from Chelsea College of Art and Design, London, UK (2008). Selected solo exhibitions include Land | Reland Portland, Oregon (2018); fig-futures,The Grundy Art Gallery, Blackpool, UK (2018); Retain, Reframe, Maria Stathi, Art Seen, Nicosia, Cyprus (2017); fig2 35/50, ICA Studio, London (2015); Rocks Remember, William Benington Gallery, London, UK (2015); 'an oyster can’t read this', Oonagh Young Gallery, Dublin, Ireland (2015).
Selected awards include fig-futures with Ar t Fund, Ar ts Council England and Outset Contemporary Art Fund (2018); Artists' International Development Award, Arts Council England and the British Council (2016);Villa Lena Artists' Residency,Tuscany, Italy (2015);Triangle Network Award & International Fellowship to Muscat, Oman with Gasworks Gallery, London(2013); Irish Museum of Modern Art Artists' Residency, Dublin, Ireland (2011).

The artist has artwork in David Ross Foundation,The Grundy Art Gallery Collection, Groucho Club Collection, Modern Forms Collection, Irish Office of Public Works State Collection,The Rothschild Collection, Soho House Collection,Villa Lena Foundation, Zabludowicz Collection.Amy Stephens was recently appointed aTrustee of the Royal Society of Sculptors.

Full artist Bio and CV available on request 
Further images available on request 

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6 SEPTEMBER - 27 october 2018




For her first solo exhibition in the United States, London-based artist Amy Stephens presents a series of totemic forms incorporating objects and imagery sourced from nature, as well as steel and acrylic forms that respond to architectural features in the gallery. Stephens approaches sculpture with a minimalist aesthetic, working intuitively to create assemblages from materials suggestive of urban living. These materials are often sourced from local landscapes or by re-appropriating from previous works.

This approach is typical of her practice: through encompassing diverse media and methods of creation, Stephens’ main concern is with the reclamation of natural objects, architecture, the temporary nature of ‘things’ and minimalist aesthetics. In juxtaposing objects and textures from nature with materials and forms from urban architecture, Stephens aims to explore shifting patterns of meaning and the potential for narrative in how we understand relationships between landscape, architecture and sculpture.

A concurrent exhibition of Stephens’ works opens at William Benington Gallery in London, UK on September 27, 2018. That exhibition will feature natural objects sourced from Oregon.